2018- The House Left Standing by Priscilla Yakielashek- Workshop and New Play Development, Studio 320. Two phases of development and dramaturge of a new script starting in 2016
2017 Tender Napalm by Philip Ridley- A Co-Production with Theatre by the River, Creative Manitoba.
2015 Sapientia by Roswitha- A Co-Production with Aztec Theatre and Mia van Leeuwen, Studio 320.
Whitechapel Redemption by Ardyth Johnson- New Play Development and Production in Bouffon Clowing, Studio 320.
2014 The House Left Standing by Priscilla Yakielashek – Staged Reading, PTE Carol Shields Festival of New Works
2013 Maple Route by Jeremy Scarth Bowkett– New Manitoba Play Production, Colin Jackson Studio. Staged Reading, PTE Carol Shields Festival of New Work, 2012.
2011 Master Orloff and Madame Clodille by Brenda McLean and Christopher Sobczak, New Play Development and Production, Winnipeg Fringe Festival, Studio 320.
Dionysus is Getting Impatient by Brenda McLean, New Play Development and Production, StrindbergFest, Studio 320
2010 Some Light Undergroun’ by Lisa Martens – Staged Reading, PTE Carol Shields Festival of New Works
Not, Not, Not, Not, Not… Enough Oxygen by Caryl Churchill, Double Bill Production, ChurchillFest, Studio 320
Far Away by Caryl Churchill- Double Bill Production, ChurchillFest, Studio 320
2008 Verge-In by Brenda McLean and Shawn Kazubowski-Houston, Co- Production with Teatr Korzenie, New Play Production 2004 Winnipeg Fringe Festival, Remount Co-Production with Sarasvàti Productions FemFest 2008.
Guernica by Brenda McLean, Magdalena Kazubowski-Houston and Ensemble- New Play Production, Winnipeg Fringe Festival, Studio 320
Boston Marriage by David Mamet- Production, MametFest, Studio 320
2007 Arcadia by Tom Stoppard- Production, StoppardFest, Studio 320
2006 The Hairy Ape by Eugene O’Neill- Production, O’NeillFest, Studio 320
Men Seldom Make Passess at Girls Who Wear Glasses by Dorothy Parker, New Production Creation, Studio 320 and remounted for WPG Fringe Festival 2007
Older- The Girlhood of Shakespeare’s Heroines, Stop Kiss, Jack and Jill, Pounding Nails in the Floor With My Forehead, Fool For Love, Out at Sea, Orphans.
2015 The Winnipeg Free Press– “Sapientia”, The Buzz Feed by Randall King, 10/22/2015. http://www.winnipegfreepress.com/arts-and life/entertainment/arts/the-buzz-335570411.html
2014 The Uniter– “Setting the Stage: Theatre Incarnate gears up for its 18th production” by Deborah Remus, 10/08/2014. http://uniter.ca/view/setting-the-stage#.VDlm6OF6r9A.facebook
2014 Winnipeg Free Press– “West End Woman enjoys being onstage and off”, 04/16/2014 http://www.winnipegfreepress.com/our-communities/metro/West-End-woman-enjoys-being-onstage-and-off-254777891.html
2013 Winnipeg Free Press– “Long Hard Road- Play examines atrocities…of Canadians” by Kevin Prokosh 09/19/2013. http://www.winnipegfreepress.com/arts-and-life/entertainment/arts/long-hard-road-224361641.html
2013 CBC Manitoba Scene– “Manitoba play Maple Route a searing drama about PTSD” by Joff Schmidt, 09/20/2013. http://www.cbc.ca/manitoba/scene/theatre/2013/09/20/manitoba-play-maple-route-a-searing-drama-about-ptsd/index.html
2013 CBC Manitoba Scene– “Small Winnipeg Theatre Companies taking Centre Stage in September” by Joff Schmidt 09/12/2013. http://www.cbc.ca/manitoba/scene/theatre/2013/09/12/september-theatre-preview/
2012 CBC Manitoba Scene– “The CBC Review Crew’s favourite shows of Fringe ‘12” July 26, 2012. http://www.cbc.ca/manitoba/scene/theatre/2012/07/26/fringe-the-cbc-review-crews-favourite-show-of-fringe-12/#.UBH8M7I-9Nd.facebook
“From an aesthetic point of view, this is a remarkably well-composed piece of theatre; from the design to the costuming to the very structure and sound; there’s a strong sense of unity. There’s a great pleasure derived simply from the rhythmic progression, and in the contrasts between noise and silence.”-Kenton Smith, The Uniter on Dionysus is Getting Impatient (Feb 2011
“You have to admire the trio’s fearless physicality and unwavering commitment to their characters; they were absolutely riveting to watch move against the stark white set”- Jen Zoratti, Uptown Magazine on Dionysus is Getting Impatient (Feb 2011)
“Kudos to Theatre Incarnate for a thoughtful, high-calibre contribution to ChurchillFest. These works are wakeup calls rather than entertainments, but anyone who is taking the opportunity to explore this challenging playwright’s oeuvre should certainly put this double bill on their list.”- Allison Mayes on Not not not not enough Oxygen and Far Away, ChurchillFest (Jan 2010)
“Some folks will hate this. It’s dark, challenging and potentially offensive. It’s also everything fringe theatre should be: daring, unapologetic and artful…the work that went into the faultless choreography is evidenced…”- Mike O’Brien on Guernica (July 2008)
2011 Best Design of the Winnipeg Fringe Festival, CBC for Master Orloff
2009 Best of the Decade– Winnipeg Free Press Dec. 31st, for Arcadia
2008 Top Ten of the Winnipeg Fringe Festival, CBC Mike O’Brien, “5 Stars”, for Guernica
2008 Best Performance Ensemble, Winnipeg Free Press Kevin Prokosh for Boston Marriage
2006 Top Ten of the Winnipeg Fringe Festival, Uptown Magazine, Barb Stewart, for Men Seldom…
1999 Best of the Fringe Festival, Winnipeg Sun, Jill Wilson for Jack and Jill
2014 Winnipeg Independent Theatre(WIT)- WIT exists to share resources, develop marketing synergies, and foster support for independent theatre with the goal of strengthening individual and collective profiling and patronage. http://www.winnipegindependenttheatre.com